May 9, 2011
William KentridgeDRAWING FOR ‘OTHER FACES’, 2011CHARCOAL AND COLOURED PENCIL ON LEDGER PAPER (SHARES ACCOUNT)18 5/8 X 26 3/4 IN. (47.31 X 67.95 CM) 

William Kentridge
DRAWING FOR ‘OTHER FACES’, 2011
CHARCOAL AND COLOURED PENCIL ON LEDGER PAPER (SHARES ACCOUNT)
18 5/8 X 26 3/4 IN. (47.31 X 67.95 CM) 

April 1, 2011
Hannah van BartThe Painter, 2006Graphite on paper39 1/2 x 55 1/2 inches@ Marianne Boesky Gallery

Hannah van Bart
The Painter, 2006
Graphite on paper
39 1/2 x 55 1/2 inches
@ Marianne Boesky Gallery

January 11, 2011
Geta Bratescu at Alteritate

Geta Bratescu at Alteritate

Geta Bratescu at Alteritate

Geta Bratescu at Alteritate

January 6, 2011
Dana Schutz: Drawings & PrintsJAN 07 - MAR 20, 2011@ Atlanta contemporary art center

Dana Schutz: Drawings & Prints
JAN 07 - MAR 20, 2011@ Atlanta contemporary art center

December 20, 2010
Susan Hefuna at MoMA

Susan Hefuna at MoMA

October 1, 2010
WORLD TRANSFORMERS THE ART OF THE OUTSIDERS Aloïse Corbaz

WORLD TRANSFORMERS
THE ART OF THE OUTSIDERS
Aloïse Corbaz

WORLD TRANSFORMERS THE ART OF THE OUTSIDERS Adolf Wölfli

WORLD TRANSFORMERS
THE ART OF THE OUTSIDERS
Adolf Wölfli

September 23, 2010
Zander Blom 1.16 Untitled2010Oil and graphite on linen102 x 86cm“There are few things as gratifying as waking up to the smell of linseed  oil and paint, and stumbling through the chaos of torn-up books and  empty tubes with a freshly squeezed palette of colour in hand. Figuring  out your next move, brushstrokes staring back at you from the tussle of  the night before. At home in Johannesburg my focus has shifted from  making photographic works to working on oil paintings, having naturally  gravitated towards a medium that I’ve loved from afar but previously  only skirted around, flirted with and examined endlessly. Oil painting,  which is not without its fair share of historical baggage, has finally  ended up right in the centre of my life. In turn my house has evolved  into a ramshackle painter’s studio. Now I find myself in my  ever-changing swamp, knee-deep in references, smeared with paint,  avoiding email, watching the paintings paint themselves, and seeing all  the little degenerates pile up in the garage.
Within the chaos of the painting mire, which sees that nothing in my  house retains its original colour, or value, drawings are creeping  around in every corner as they usually tend to do. Undisturbed, they  collect and pile up under the bed.
Every now and then I tear myself away from the house to visit different  cities abroad, where I produce the different chapters of a new long-term  photographic project: the first chapter done in São Paulo, the second  in Berlin, with Antwerp, Miami and Istanbul on the way.”
 

Zander Blom
1.16 Untitled
2010
Oil and graphite on linen
102 x 86cm

“There are few things as gratifying as waking up to the smell of linseed oil and paint, and stumbling through the chaos of torn-up books and empty tubes with a freshly squeezed palette of colour in hand. Figuring out your next move, brushstrokes staring back at you from the tussle of the night before. At home in Johannesburg my focus has shifted from making photographic works to working on oil paintings, having naturally gravitated towards a medium that I’ve loved from afar but previously only skirted around, flirted with and examined endlessly. Oil painting, which is not without its fair share of historical baggage, has finally ended up right in the centre of my life. In turn my house has evolved into a ramshackle painter’s studio. Now I find myself in my ever-changing swamp, knee-deep in references, smeared with paint, avoiding email, watching the paintings paint themselves, and seeing all the little degenerates pile up in the garage.

Within the chaos of the painting mire, which sees that nothing in my house retains its original colour, or value, drawings are creeping around in every corner as they usually tend to do. Undisturbed, they collect and pile up under the bed.

Every now and then I tear myself away from the house to visit different cities abroad, where I produce the different chapters of a new long-term photographic project: the first chapter done in São Paulo, the second in Berlin, with Antwerp, Miami and Istanbul on the way.”

 

July 9, 2010
Toby Ziegler, Galerie Max Hetzler   The Art of Sinking (study)  2009 Inkjet on paper, pins, ink, gouache, graphite 320 x 430 cm

Toby Ziegler, Galerie Max Hetzler  
The Art of Sinking (study) 
2009 
Inkjet on paper, pins, ink, gouache, graphite
320 x 430 cm

May 17, 2010
Jockum Nordstrom @ David Zwirner

Jockum Nordstrom @ David Zwirner

February 13, 2010
Claire Harvey, Mobile Man, 2008 oil on glass 1.42 x .94 inches each

Claire Harvey, Mobile Man, 2008
oil on glass
1.42 x .94 inches each

February 5, 2010
David Reed at Peter Blum

David Reed at Peter Blum

February 3, 2010
art-it:

John Baldessari, I will not make any more boring art

art-it:

John Baldessari, I will not make any more boring art

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